A summer of hate?


We all now have heard of the eruptions of hate towards Israel and Jews that pervade many of our universities and the younger political Left generally.  So I thought that I might put up a reminder that youthful energies can defy conventional norms but be much less vicious than they are today.  I refer to the "Summer of Love" of 1967.  It was often mocked at the time but shows that we can do better than we do today.

My own summer of love was a year later in 1968 and I still have fond memories of it.  It was however drug-free so it also shows what is possible.  A link to an account of my "Summer" below, followed by a piece on a notable time in history

https://memoirsjr.blogspot.com/2023/06/a-memoir-of-1968.html


The year 1967 was designated the “Summer of Love” when somewhere between 75,000 and 100,000 youth flooded 25 blocks in San Francisco’s Haight-Ashbury district. Beforehand, the neighborhood was home to a small community of “hip” residents interested in art, music, theatre, and literature. Afterward, it was known worldwide as the center of countercultural activities. For many, the Summer of Love calls to mind an ambitious attempt at cultural revolution when America’s youth championed values like peace, love, and freedom of expression.

Fifty years later, that utopian vision of the Summer of Love prevails. But underground papers like those in Reveal Digital’s Independent Voices Collection testify to the dark underbelly of that fateful season. The June 23 edition of the Berkeley Barb, for instance, includes an advertisement for the Berkeley PROVOS, a group of people who intended to help deal with the influx of people into the area. Although embracing the spirit of the Summer of Love, the article amounts to a plea for help. It reads, “We still need food, clothes, places to stay, beds, sheets, soap, blankets, coat hangers and HELP.”

Even the participants varied in what they understood the meaning of the event to be.

In fact, the hippie demonstrations and the publicization of hippie culture that coalesced in the Summer of Love were met with controversy rather than acceptance. Even the participants varied in what they understood the meaning of the event to be. They knew something was happening, but it was hardly the simple introduction of peace and love to American culture.

The Role of Mass Media

For many in the counterculture, the Summer of Love was an accident precipitated by the widespread consumption of music, television, and magazines. Songs, programs, and articles began documenting the activities of the countercultural community in the Haight-Ashbury district with the advent of the Human Be-In. According to Chet Helms, after the Human Be-In, a relatively small group of counterculturally minded people in the Haight issued an invitation for young people to come to San Francisco. They formed a council that they called the “Council of the Summer of Love” and attempted to organize summer activities in Golden Gate Park.

Articles on the “new” hippie lifestyle appeared in magazines like the New Yorker, and the hit song “San Francisco (Be Sure to Wear Flowers in Your Hair)” cemented the idea that something was going to happen in San Francisco in the summer of 1967. By most accounts, the arrival of so many young people was more an accident of popular culture than the result of any planning performed by the council.

As the Summer of Love progressed, it became increasingly clear to many committed participants in the community that the Summer of Love, and the idea of a “hippie,” was being defined by the media more than anything else. Many in the counterculture became deeply suspicious and then hostile toward what they considered “the media,” by which they meant photographers, magazine and daily newspaper reporters, and documentarians. Columnist Joan Didion recalls being labeled a “media poisoner” by countercultural leaders who were part of a group known as the Diggers.

Jef[f] Jassen of the Berkeley Barb writes nostalgically of the Haight-Ashbury district before the Summer of Love: “Nowhere was a camera visible.” Perhaps the event that highlights most clearly the role of the media in relation to the Summer of Love is the “Death of the Hippie Parade,” which was meant to conclude the Summer of Love. The event, documented in underground papers like the Berkeley Barb, included a funeral procession that marched through the Haight-Ashbury district, participants carrying a coffin filled with symbols of hippies: beads, mandalas, hair. A funeral notice was passed around the neighborhood that read, “Funeral Notice / HIPPIE / In the Haight Ashbury District of this city, Hippie, devoted son of Mass Media…” The demonstration was meant to call attention to the role that the media had played in creating a hippie stereotype and to replace the image with that of a “free man.”

https://daily.jstor.org/the-summer-of-love-wasnt-all-peace-and-hippies/

************************************************

No comments:

Post a Comment

All comments containing Chinese characters will not be published as I do not understand them