I am going to risk being labelled a white supremacist by my interest in pre-history. What I have found is that Europe seems to be where civilization as we know it first evolved. Egypt and Mesopotamia eat your hearts out!
I am talking about what archaeologists call the Vinca culture. It has left thousands of artifacts so it is in no way obscure. From what we have found of their artifacts, we can deduce quite a lot about them.
The big surprise is how old the objects are. They had been assumed to be more recent that the artifacts from Egypt and Mesopotamia but radiocarbon dating has thrown that into a cocked hat. Vinca predates Egypt by at least a thousand years.
The artifact that tells me most is the one below. It is clearly a type of chariot with very clearly defined and quite modern-looking wheels. It is drawn by birds so is symbolic. The chariot of the Gods is a familiar concept in antiquity (e.g. Psalm 68:17) and it looks like it was thought of in our most ancient European past. See below.
Does it mean that the wheel was invented in EUROPE? It seems likely. Below is another article about Vinca. The original includes images of many Vinca artifacts
There was once a mysterious European culture, which left a legacy in the form of valuable artifacts covered with an unknown, never successfully deciphered script. These artifacts have been excavated from sites in south-east Europe.
Ancient Vinca Culture
The culture that flourished from about 6000 BC to 3000 BC, was named Vinca-Tordos Culture of Yugoslavia and western Romania and derived its name from the village of Vinca located on the banks of the Danube river, only 14 km downstream from Belgrade.
A century ago, a great discovery was made at the Danube riverbank. Panta, an old man from Vin?a accidentally found a strange clay figurine: This mysterious figurine was puzzling to him so he took it to the National Museum in Belgrade in order to find the explanation. The figurine was soon recognized as an artifact that dated back to the late Stone Age.
Since then, a number of archaeological excavations have revealed numerous cultural layers of a civilization and its largest Neolithic settlement in Europe, dating back more than 7,000 years BC.
The Vinca legacy includes among others, curious masks and the most informative costumed figurines depicting women in extremely modern clothes like narrow skirts, and sleeveless upper-body panels, complimented with hip belts, aprons, jewelry, shoes, caps, hairstyles, bracelets, necklaces, and medallions.
There have also been unearthed different kinds of tools and weapons and the remains of prehistoric houses with the furniture and many other objects created in the Vinca region or brought from remote areas.
Since the language of the Vinca still remains undeciphered, unearthed artifacts constitute the only source of knowledge about this culture. Vinca's living style reminds us of our own. They lived in houses that had very complex architectural layouts and several rooms.
The houses faced northeast-southwest and were separated by streets. Vinca people had stoves in their houses, preceding the Romans in using these devices. They used special holes only for rubbish, and had the same tradition as we have, to bury people in cemeteries.
The development of copper metallurgy is evident during the latter part of the Vinca culture's evolution.
Among unearthed artifacts, there have been found a large number of figurines made of clay and other artifacts depicting worshipped deities and women in miniskirts, short tops, wearing jewelry.
It is hard to believe that women that lived several millennia ago wore miniskirts, unless, the cult of Mother Goddess was very widespread and reached both the south-east parts of Europe and ancient India.
Similar, made of ceramic clay, figurines of Mother Goddess, were found in excavations in Mohenjo-Daro, located along the Indus River in ancient India (present-day Pakistan).
Was this kind of clothes popular 7,500 years ago?
The Vinca Culture - Europe's biggest prehistoric civilization - point to a metropolis with a great degree of sophistication and a taste for art and fashion.
Numerous figurines related to the Vinca Culture bear 'markings that clearly indicate clothing, bequeathing a wealth of costume detail. The Vinca culture in the Danube River basin, from the end of the sixth through the fifth millennia B.C., left the most informative costumed figurines.
These images bear deep incisions encrusted with white paste or red ocher emulating fringe, hip belts, aprons, narrow skirts, and sleeveless upper-body panels. The Vinca artisans sans also modeled a variety of shoes, caps, hairstyles, bracelets, necklaces, and medallions...
Figurines with clothing and ornaments appear either bare-breasted or fully clad. Several dress combinations recur persistently on bare-breasted images. Some wear only a hip belt or a hip belt supporting either an apron or an entire fringed skirt. Others wear a tight skirt and nothing else...'
An important question is: Is the legacy of the Vinca culture evidence of the ever known earliest manifestation of the Divine Power and well-evolved and widespread Mother Goddess worship cult?
Many terracotta figurines of the Mother Goddess were recovered in excavations at various archaeological sites of Indus Valley. Naturally, orthodox science proposes a classical explanation to this phenomenon and say that the proto Mother, the symbol of female fertility, is depicted on prehistoric figurines.
Mysterious Vinca Culture Is Among The Most Advanced Prehistoric Societies In Europe
On many of the artifacts excavated from sites in south-east Europe, there have been found the Vinca symbols. Here are common symbols used throughout the Vinca period:
Since the inscriptions are all short and appear on objects found in burial sites, and the language represented is not known, it is highly unlikely they will ever be deciphered.
In some way, Vinca's past is both forgotten and lost.
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